{"id":572,"date":"2021-03-02T22:31:44","date_gmt":"2021-03-03T01:31:44","guid":{"rendered":"https:\/\/mostramuseu.com\/?page_id=572"},"modified":"2024-06-17T15:54:16","modified_gmt":"2024-06-17T18:54:16","slug":"curadoria-mostra-museu-arte-na-quarentena","status":"publish","type":"page","link":"https:\/\/mostramuseu.com\/en\/curadoria-mostra-museu-arte-na-quarentena\/","title":{"rendered":"CURATORSHIP"},"content":{"rendered":"
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Mostra Museu: a breath of creativity<\/strong><\/p>

No come\u00e7o, era o nada. Quando a pandemia deu seus primeiros sinais, o mundo parou e todos ficamos paralisados. O nada se instaurou. Mas dele, fez-se a luz. A luz do sol que nasce todos os dias, mas tamb\u00e9m a luz propagada pela tecnologia, que, como uma liga\u00e7\u00e3o neural, fez correr a eletricidade pelas veias rob\u00f3ticas e humanas de todos os que viveram tal momento \u00fanico da humanidade na terra. O que a principio esteve paralisado, ent\u00e3o, voltou a correr e a inspirar o nosso microcosmo interior \u2013 e logo o exterior. Assim desenvolveu-se a produ\u00e7\u00e3o criativa em diversas \u00e1reas em 2020 e nos anos que vivemos a seguir.<\/p>

Foi assim tamb\u00e9m que a Mostra Museu<\/strong> teve in\u00edcio. Se antes era o nada, a partir da eletrizante onda criativa que turbinou a Internet neste per\u00edodo viu-se o brilho que a mente humana pode alcan\u00e7ar. Agora, quatro anos depois, com in\u00fameras perdas, mas tamb\u00e9m reflex\u00f5es e aprendizados adquiridos, nos damos conta do poder interior que nos forma. A experimenta\u00e7\u00e3o do isolamento nos fez perceber que muitas vezes a cria\u00e7\u00e3o nasce de um lugar tido como solit\u00e1rio, no entanto, que tamb\u00e9m \u00e9 de conex\u00e3o. Um exerc\u00edcio de troca consigo mesmo em que misturamos mem\u00f3rias, refer\u00eancias e viv\u00eancias para construir algo in\u00e9dito que devolvemos ao mundo.<\/p>

Aos poucos, a comunica\u00e7\u00e3o e a mobilidade humana voltaram a caminhar juntas. O que come\u00e7ou no campo das ideias, encontrou-se, ent\u00e3o, v\u00edvido em mobili\u00e1rios urbanos, que ocuparam pontos de \u00f4nibus, metr\u00f4s e trens, e no universo virtual, por meio de acessos a QR Codes espalhados pela cidade de S\u00e3o Paulo, em uma exposi\u00e7\u00e3o hibrida, online e offline.<\/p>

Este ano, as obras exibidas na capital paulista em 2021 extrapolam tal ambiente ocupando outras duas cidades do estado, Santos e Campinas. Nelas, cria\u00e7\u00f5es que foram produzidas durante esse per\u00edodo t\u00e3o desafiador por artistas de diferentes partes do mundo conectam-se novamente aliadas a uma nova safra de trabalhos feitos por artistas das duas respectivas localidades. Nessa itiner\u00e2ncia, a Mostra Museu passa a ser apresentada sob dois temas: \u201cNatureza Conecta\u201d e \u201cIsolamento Criativo\u201d.<\/p>

Na primeira, artistas de diferentes partes do globo utilizam-se do meio ambiental como est\u00edmulo para vincular-se ao seu universo interior. O meio ambiente tem sido para muitos uma forma de descompress\u00e3o e um lugar, seja ele real ou imagin\u00e1rio, de nos aproximarmos da liberdade e da cura. J\u00e1 em \u201cIsolamento Criativo\u201d s\u00e3o reunidas obras que t\u00eam como pilar o exilio como forma de produ\u00e7\u00e3o. \u00c9 por meio desse retiro em dire\u00e7\u00e3o a uma conex\u00e3o pr\u00f3pria que muitas vezes alcan\u00e7amos maneiras mais profundas de despertar a criatividade.<\/p>

A escolha das obras produzidas, sejam elas ligadas \u00e0s artes pl\u00e1sticas, ao design gr\u00e1fico, ao cinema ou \u00e0 anima\u00e7\u00e3o, tratam sobre aprendizados coletivos e pessoais que per\u00edodos de grandes transforma\u00e7\u00f5es como esse podem alcan\u00e7ar. Se no mundo real a pandemia ganhou contornos e pode ser vista por outros prismas que s\u00f3 o tempo e o distanciamento dos fatos nos permitem alcan\u00e7ar, no das ideias ela segue pujante em um intenso rastro de renova\u00e7\u00e3o, que reverbera dentro de todos n\u00f3s e em tudo aquilo que tocamos depois.<\/p>

Ana Carolina Ralston<\/strong>
Curator<\/strong><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Ana Carolina Ralston<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Visual Arts Curator<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Ana Carolina Ralston is an art curator and journalist in Brazil and internationally. She worked as art director at Kogan Amaro Gallery with galleries in both S\u00e3o Paulo, Brazil, and Zurich, Switzerland. She was the curator at FAMA museum, in Itu, Brazil from 2018 to 2020. She is currently editor-in-chief at Moda, a monthly magazine publication about fashion and culture that is part of a well-known newspaper in Brazil, O Estado. She was the senior editor of culture and lifestyle at Vogue Brazil from 2013 until 2018 and responsible for the editions of Harper\u2019s Bazaar Art in 2019. She has a Master Degree in Cultural Journalism from Columbia New York University in Spain. Currently she is completing a post graduate degree in art, critic and curatorship at PUC-SP.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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The Covid Art Museum<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Visual Arts Co-curators<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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The Covid Art Museum is the first digital museum to display art created during the coronavirus pandemic. The museum was inaugurated on March 19, three days after the quarantine began in Spain, by Emma Calvo, Irene Llorca and Jos\u00e9 Guerrero, three creatives who work in the advertising area. The objective of The Covid Art Museum is to collect artistic testimonies about the health crisis, as well as to give visibility and value the works made by artists in their homes, in addition to building connections between people who have the same shared experience.<\/p>

The works on display on social media have given rise to a pluralist display of what the pandemic means. Each artist brings his own experiences and reflections on this situation. The techniques used in the works are the most varied, including photographs, illustrations, installations, and animations. Today, the project has a digital collection of more than 1,000 works from 120 countries and its founders participate as co-curators of the\u00a0Mostra Museu \u2013 Arte na Quarentena<\/strong>.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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In March 2020, the coronavirus officially established a lockdown from our daily activities, and left us with many uncertainties. There was silence in the streets - and in us. The concert halls, the biggest source of income for musicians, closed. Yet, music kept everyone company as they isolated in their homes during a difficult and undeniably historic year. Once again culture helped us to survive, as the artists who provided us with joy reinvented themselves in the silences that surrounded them, never stopping to create.<\/p>

From their thoughtful and generous heads, they gave us fruits that fed our ears and eyes. New seeds also sprouted in a time of shrinkage. In addition to songs, some of the artists recorded in new formats and from a distance. They gave us audiovisual records that mark a worldwide time full of protocols and care that demanded even more creativity than the normal musical scene.<\/p>

No system will silence us, no system kept us quiet. Contraflow to asphyxiation and necropolitics, Brazilian culture has bent but not broken. And Mostra Museu is connected to the Brazilian culture through the music throughout the exhibition. This collection of renowned artists and new voices reinvented themselves and added new directions to Brazilian music that was provided even in distance and isolation.<\/p>

At 70 years of age, Numa Ciro gave us a renovating shower of life and released his first album. From a new and effervescent generation of national rap, Baco Exu do Blues postponed a finished album and made another one - N\u00e3o Tem Bacanal na quarentena - recorded in just three days, a new work for the present moment.<\/p>

In this same year, at last worldwide commotion was caused due to racism starting with the murder of George Floyd by the American police. Musically speaking, S\u00e3o Paulo native Jup do Bairro emerged with her manifest album \"Corpo Sem Ju\u00edzo,\" which explores themes such as sexuality and gender from real life stories in the favelas. It is from the favelas too - those in Bahia - that came one of the best surprises of 2020: Yan Cloud and his album \"Pinkboy.\"<\/p>

From a show made months before the pandemic, Emicida brought us a documentary-lesson on Brazilian black culture and, as a gift, a meeting with Gilberto Gil. \"To live is to leave, go back and share\" says the song \"\u00c9 Tudo pra Ontem.\" Leave, go back, and share - is how Brazilian music flowed and continues to flow. We must put ourselves in our present time, without forgetting the past, in order to share in the expectation of a future in which art is better understood.<\/p>

The pandemic has redefined the power of being heard, listened to, and shared. Brazil is much bigger and more diverse than it seems. It is feminine, black, indigenous, LGBTqIA+. It is this Brazil that should inspire us and needs to be listened to more so that our soundtracks have a little more love, awareness, and freedom in being and existing. So that, thus, we can meet together in shared understanding - and soon. Promises are held in 2021. Listen to the playlists of the Mostra Museu and watch the videos. They have a lot to tell us.<\/p>

Pedro Henrique Fran\u00e7a<\/strong>
Curator<\/strong><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Pedro Henrique Fran\u00e7a<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Music Curator<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Pedro Henrique Fran\u00e7a is a journalist, director, and screenwriter. As a journalist, he worked and wrote about music in newsrooms such as Estad\u00e3o and Joyce Pascowitch. He also finalized the direction and script for the video clips Nobody Asked for You\", by Letrux, \"De Ontem\", by Liniker , \"N\u00e1ufrago\", by Majur, and \"Pedrinho\", by Tulipa Ruiz - It was the winner of the best film at the Vit\u00f3ria Film Festival in the Music Video category, and best film and direction at the Los Angeles International Music Video, plus nominated for the MVF, Music Video Festival.<\/p>

He founded the collective Representa, which is dedicated to audiovisual projects with a focus on promoting diversity. He was a curator and mentored Natura Musical 2020, which included more than 40 artists, bands, and cultural collectives.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Mostra Museu: um sopro de criatividade No come\u00e7o, era o nada. Quando a pandemia deu seus primeiros sinais, o mundo parou e todos ficamos paralisados. O nada se instaurou. Mas dele, fez-se a luz. A luz do sol que nasce todos os dias, mas tamb\u00e9m a luz propagada pela tecnologia, que, como uma liga\u00e7\u00e3o neural, […]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-572","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/mostramuseu.com\/en\/wp-json\/wp\/v2\/pages\/572","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mostramuseu.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/mostramuseu.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/mostramuseu.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mostramuseu.com\/en\/wp-json\/wp\/v2\/comments?post=572"}],"version-history":[{"count":3,"href":"https:\/\/mostramuseu.com\/en\/wp-json\/wp\/v2\/pages\/572\/revisions"}],"predecessor-version":[{"id":4057,"href":"https:\/\/mostramuseu.com\/en\/wp-json\/wp\/v2\/pages\/572\/revisions\/4057"}],"wp:attachment":[{"href":"https:\/\/mostramuseu.com\/en\/wp-json\/wp\/v2\/media?parent=572"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}